LITTLE ROCKETS

The project was to develop a logo for Little Rockets a business in Plano, Texas for a football little league for young boys.

My approach was to combine a football and a rocket ship to communicate the sport while playing homage to the little boy toy—a rocketship.

Adjudications

Silver Award — Graphis New Talent Annual 2024

HOWDY CAKES

The project was to develop a logo for Howdy Cakes a bakery in Austin, Texas that combines Texas culture and cake.

My approach was to combine a cowboy hat to depict what the business does — cakes — while communicating their Texan heritage. 

Adjudications

American Graphic Design Award — GDUSA 60 (Identity)
Baylor Art Student Exhibition 2024 (Identity)
Silver Award — Graphis New Talent Annual 2024 (Identity)

YES CHEF

The project was to develop a logo for Yes Chef a smartphone application for cooking lovers.

My approach was to combine a fork and a chef hat to communicate the purpose of the app, cooking and “chef” community.

SMACK

The project was to develop a logo for SMACK a brand of chewing gum that targets a younger and trendier audience.

My approach was to develop a custom typeface that resembles a gum piece/candy. The type is nested in a container in the shape of lips to emphasize the contemporary meaning of “smack”, blowing bubbles
in a chic and sassy manner.

JOYRIDE WINERY

The project was to develop a logo for Joyride a classic and luxury winery in Napa Valley, California.

My approach was to depict vintage car motifs such as the logo type inspired by vintage chromeogrphy to create this trip down memory lane feel that will pay homage to the nostalgic wine it is paired with.

NONNI’S BAKERY

The project was to develop a logo for Nonni’s a small family owned bakery in Dallas, Texas.

My approach was to combine the letterform “N” and a partially eaten cake to communicate the menu items while playing homage to the business owner and head baker, Nonni.

CHAMPIONS!

The project was to develop a logo for Champions! a business in Houston, Texas for a Dyslexia Learning Center.

My approach was to manipulate the typography in a way that adheres to the Dyslexia learning disability.

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